Preliminary notes, rough drafts, and supplementary materials for the finished and unfinished works of Muindi Fanuel Muindi. Read more at solutionsforpostmodernliving.org.

I always tend to conceive of my next project in the afterglow of my last project. It was while finishing up Other Related Matters that wrote my Four Essays on Reparations, and it was while finishing up my Four Essays that I started conceiving of my new project. This is because each succeeding project is an attempt to develop potentials nascent in the preceding project.

My new project is an attempt to develop the relationships, skills, and tools that I would need to do what I proposed doing in my Four Essays. The project hopes be more practical than theoretical. Indeed, borrowing from Joseph Beuys, it hopes to be a sort of “social sculpture”.

You are invited to participate! You can learn more about the new project here.

Posted at 1:43pm.

My first three books, my Triptych, asked the question, “How do I become what I am?” My fourth book, Other Related Matters, out today, asks the immediate follow up question, “How do I relate to others?” These questions are not scholarly questions and my books are not works of scholarship. The questions are philosophical and my books are documents of philosophical investigations, yes, but I do not do philosophy in and through my books in order to school others in subjects that I have a degree of mastery over.

I do philosophy in and through my books so that I might commune and correspond with others about difficult questions that we each have to ask ourselves and the answers that we find for ourselves. When I publish and share a book with the world, I say to the world, “Obscure as they may be, these are the best answers that I have come up with for this difficult question. What do you make of them?”

I am excited to publish and share Other Related Matters with the world today, my 34th birthday. I really, really do look forward to communing and corresponding with others about the book’s question and its answers. I especially look forward to finding out how others answer the book’s question for themselves and to discovering the ways in which others’ answers differ from and defer to my own. If and when you read the book, you are most welcome to write me and I will be sure to write you back.

You can purchase a copy of my book via my website (linked below) or via most major online booksellers (this actually saves me some work). If you cannot pay the asking price, please do get in touch and I will either gift you a copy or cut you a sensible deal.

ORDER THE BOOK

Posted at 12:00am.

With the time and resources available to me, I have sought to make my new book, Other Related Matters, as beautiful as I could. I invented two topological animals to adorn the front and back covers of the book: a topologist’s sine curve forms a serpent on the front cover and an assemblage of elementary catastrophes forms a swallow hunting an insect on the back cover.

The topologist sine curve is a figure that is everywhere connected but not everywhere path connected: mapped by conventional system of Cartesian coordinates, the curve has a point at the origin (0,0) that is connected to other points on the curve, but one cannot construct a path from elsewhere on the curve to the point at the origin, nor can one construct a path from the point at origin to any other point elsewhere on the curve.

The elementary catastrophes are algebraic forms that feature points where ordinary analysis fails and extraordinary forms of analysis are called for.

Other Related Matters is all about enigmatic points of origin and forms that are beyond ordinary analysis. Yet it is also about the human-and-animal relation. Hence my use of topological figures to construct animal figures: the serpent that slithers and the swallow that soars.

Other Related Matters will be released on August 20, 2021. Follow the link below to get yourself a copy.

ORDER THE BOOK

Posted at 2:27am and tagged with: topology, singularity theory, philosophy,.

With the time and resources available to me, I have sought to make my new book, Other Related Matters, as beautiful as I could. I invented two topological animals to adorn the front and back covers of the book: a topologist’s sine curve forms a...

Continuing where my last post left off, the text above is transcribed from an old notebook of mine, circa 2015. It connects the two approaches to philosophy that I have sought to make my own for the past decade. “One can very well think without concepts,” Gilles Deleuze notes, yet his work is defined by the creation of concepts. Jacques Derrida’s work, on the other hand, is defined by it’s deconceptualizing: it would enable us to think without concepts, to elude and escape conceptual thinking when conceptual thinking can’t keep our thoughts current.

To keep my own thoughts about abolition and decolonization current, my Four Essays work to deconstruct conceptual apparatuses that are burdened by the concepts of “natural order”, “historical accident”, “race”, “streamlining”, “scarcity”, “deservedness”, “ownership”, and “conservation”. I do this, for better or for worse, at the same time as I construct my own concepts. While I imagine that the concepts I have constructed may not work for you, my deconstructions might still help dissipate some stagnant pools of thought. I invite you to follow the link below to read the essays and welcome you to share your thoughts with me.

READ THE ESSAYS

Posted at 12:03pm.

Continuing where my last post left off, the text above is transcribed from an old notebook of mine, circa 2015. It connects the two approaches to philosophy that I have sought to make my own for the past decade. “One can very well think without...

The image above features a passage interpolated from a lecture that Gilles Deleuze gave on Leibniz. This passage, which I have modified in a number of ways for my own purposes, has been a source of inspiration for me for more than a decade now. Deleuze’s likening of philosophers to painters and musicians is so intuitive for me because I feel as if concepts have sounds, colors, rhythms, and shapes, and the doing and reading of philosophy is a kinesthetic experience for me.

The Four Essays that I featured in my last post are vehicles for the (re-)creation of four intra-related concepts: the concepts of “artful reparations”, “leaky designs”, “reparative revaluations”, and “reparative rewilding”. I (re-)created these four concepts in and through these essays because I felt that my own thinking in and about abolition and decolonization had ceased flowing and become stagnant. The concepts developed in my Four Essays enabled me get my own thoughts flowing again, and I have shared the essays so that others feeling blocked might make use of my concepts. I invite you to follow the link below and read the essays. If you read the essays, please do let me know if and how you can make the concepts work for you.

READ THE ESSAYS

Posted at 12:00pm.

My Four Essays are companion pieces to my upcoming book, Other Related Matters. The essays were written as I was editing, designing, and proofreading the book and the essays “rework” concepts developed in the book, shifting their register from the philosophical imaginary to the political imaginary. After finishing the Four Essays, I found that the they stood alone and apart from the book, and so I decided to offer them up standing alone and standing apart. I will be sharing more about my Four Essays, my upcoming book, and their relations to each other in the days and weeks to follow. In the meantime, you may follow the link below to read the essays. If you find them thought provoking, please do share them with others.

READ THE ESSAYS

Posted at 2:35pm and tagged with: abolition, deconstruction, decolonization, schizoanalysis, psychoanalysis, reparations,.

I recently finished the manuscript for a new book, a diptych, titled Other Related Matters. I’ve just begun sharing the different halves of the diptych with different readers for comments, and I’ve also just begun working on the design and layout of the book. The two texts that constitute the book were written in response to two directed reading groups that I organized this past year with some friends: the “(anti)Social (anti)Bodies” and the “Virulent(ly) Self(ish)”. You can check out the proceedings the two directed reading groups at solutionsforpostmodernliving.org. While these proceedings are somewhat suggestive of what you will find in Other Related Matters, the book is its own monster, a radical literary departure that imagines far more than it investigates.

Posted at 11:28am.

I recently finished the manuscript for a new book, a diptych, titled Other Related Matters. I’ve just begun sharing the different halves of the diptych with different readers for comments, and I’ve also just begun working on the design and layout of...

WHAT’S NEW
September 20, 2020

With the COVID-19 pandemic likely to put my live, in-person performative work on hold for quite sometime, I shall be experimenting with film and with telematic performance techniques over the course of the next year. In preparation for these upcoming experiments, I’ve taken the time to refresh my website, and I invite you to check out my new home page at solutionsforpostmodernliving.org.

The new website design also makes it possible for you to purchase a rather fine hardcover edition of my most recent book, Triptych, directly from me. So, if you would like to purchase a copy, I highly reccommend doing so by navigating to the “Books” page.

Posted at 1:16pm.

WHAT’S NEW
September 20, 2020
With the COVID-19 pandemic likely to put my live, in-person performative work on hold for quite sometime, I shall be experimenting with film and with telematic performance techniques over the course of the next year. In...

The fourth episode of the Forested Niches podcast is out now! This week I’ve cast Ylfa as Glenn Gould in the promo. Gould’s genius radio documentary The Idea of the North, and the rest of his Solitude Trilogy, were an inspiration for me as I co-produced and engineered this project but, of course, Ylfa is the true genius, inspiration, and prime mover behind this project. Like Gould’s radio doc, the fourth episode of Forested Niches is composed of intertwined interviews, but time didn’t allow for us to attempt the contrapuntal editing technique that Gould originated on this one. Note, however, that we did attempt some contrapuntal editing during the tree encounter in episode two. Take a listen and stay tuned for more! There will be longer intervals between episodes and things are going to get more marvelous and strange from here on out.

Posted at 1:41am and tagged with: forest ecology, forest therapy, Shinrin-yoku, ecopsychology, philosophy, glenn gould, the idea of the north, solitude trilogy,.

The fourth episode of the Forested Niches podcast is out now! This week I’ve cast Ylfa as Glenn Gould in the promo. Gould’s genius radio documentary The Idea of the North, and the rest of his Solitude Trilogy, were an inspiration for me as I...

Check out the third episode of the Forested Niches podcast. In this episode, Ylfa dances through a series delightful and strange informative anecdotes about mycorrhizal fungi, and I chance upon a few mycorrhizal riffs on the guitar. Definitely my favorite of the three episodes we’ve released thus far. You ask, “Why have I cast myself as John Cage and Ylfa as Merce Cunningham in the image above?” Well, have I mentioned that every episode is assembled from several improvised takes? So many of the lovely anecdotes and images that wind up in each episode are digressions chanced upon by Ylfa’s well studied and oh so nimble mind.

Posted at 5:40pm and tagged with: podcast, forest therapy, forest ecology, philosophy, Shinrin-yoku, ecopsychology, john cage, Merce Cunningham,.

Check out the third episode of the Forested Niches podcast. In this episode, Ylfa dances through a series delightful and strange informative anecdotes about mycorrhizal fungi, and I chance upon a few mycorrhizal riffs on the guitar. Definitely my...

A friend asked me why I organize reading groups, like the (anti-)Social (anti-)Bodies group, that invite others to participate whether or not they have the time to read any of the assigned texts. I told this friend that the reading groups that I organize aren’t “out-reading” groups but, rather, “reading-in” groups. I wrote the four theses above in order to develop upon this distinction. Having written them, it strikes me quite clearly that the reason why I am not an academic is because the process of becoming an academic is a process that privileges practices of out-reading over and against practices of reading-in. In this day and age, in a time in which a radically and rigorously intellectual life is an economically precarious life, those who radically and rigorously out-read tend to be those who secure the best academic positions and hold themselves up as the exemplars of the intellectual life, while those intellectuals who radically and rigorously read-in tend to live rather precariously and without esteem. Ay, but when has that not been the case? And once more, I find myself considering the life an work of Spinoza. I imagine that Spinoza would say that the miserly academic wields their knowledge like a despot or priest, so as to make others sad: sad for not having already learned more and sad for still having more to learn before they will “catch up”. This, when it could and should be a joy to learn.

It seemed fitting to have Cy Twombly’s “School of Athens” accompany my theses, given my accounts of texts that I read are kin to Twombly’s account of Raphael’s masterpiece.

Posted at 7:34am and tagged with: intellectualism, generosity, philosophy, reading, academia, para-academia, Cy Twombly, school of athens, raphael,.

The second episode of the Forested Niches podcast is full of facts and informative anecdotes about trees. Ylfa geeked out on this one, so I’ve cast her as David Byrne instead of Bowie this time aroud. I’m still playing the Brian Eno supporting her charismatic lead. We’ve put a few found sounds from nature in this episode for you, but we really want you to listen to this episode outside and to find sounds for yourselves. Wherever you listen, please care for the safety of yourselves and others. Next week, Ylfa and I will be trying to figure out how to make mycorrhizae sonorous. If you have any sound suggestions or contributions to help us pull this off, do get in contact with me before this Friday and let me hear what you’ve got!

Posted at 10:19pm and tagged with: forest therapy, forest ecology, Shinrin-yoku, ecopsychology, philosophy,.

The second episode of the Forested Niches podcast is full of facts and informative anecdotes about trees. Ylfa geeked out on this one, so I’ve cast her as David Byrne instead of Bowie this time aroud. I’m still playing the Brian Eno supporting her...

READ // KILL YOUR IDOLS

The text linked above sketches out the memetic theory of learning that is critical to my philosophical project. The inklings of this theory can be found in a study of the work of James Joyce and Samuel Beckett that I abandoned more than a decade ago but that has not yet abandoned me. I am thankful for the interlocutors and correspondents who’ve inspired me to sketch this theory anew, and I am looking forward to getting their feedback on it.

Posted at 5:52pm and tagged with: james joyce, Samuel Beckett, learning, mimesis, philosophy, mimetic desire, Mimetic Rivalry, idols,.

The first episode of Ylfa Lund Muindi’s podcast is here. Ylfa is working a series of audio programs that will guide listeners through a series of synesthetic exercises and natural encounters.

I co-produced and engineered the first episodes. I enjoyed playing Brian Eno to her David Bowie on this one, and Nature was kind enough to play Robert Fripp to us both. Roosevelt Elk bugling and clashing antlers, Crows cackling, Pacific Wrens chirping and dancing, light breezes and heavy gusts of wind, moss dripping, and all the noisy sounds of silence: Nature’s riffs are sublime.

Please find yourself a comfortable place in which you can fully immerse yourself in the environment before you tune in. This audio is not meant to be listened to while driving, running, or otherwise distracted.

Find out more at forestedniches.org.

Posted at 3:00pm and tagged with: forest ecology, forest therapy, ecopsychology, philosophy, Shinrin-yoku,.

The first episode of Ylfa Lund Muindi’s podcast is here. Ylfa is working a series of audio programs that will guide listeners through a series of synesthetic exercises and natural encounters.
I co-produced and engineered the first episodes. I enjoyed...

Notes Towards a Concept of “Im-media”
Two Informative Anecdotes

Following up on my last post, I would like to begin to develop the term “im-media” a bit further by regarding two different “im-media” as primary informative anecdotes.

My first informative anecdote of an “im-medium” was a simple one: the “portal”. Again, what we conventionally call a “portal” (e.g., an archway or a doorway) does not mediate between two different spaces, rather, it articulates a space that immediately relates two different spaces. By contrast, a “barrier” mediates between two spaces or, in other words, a “barrier” closes off an immediate relation between two spaces. From this informative anecdote, I want you to recognize that im-media are “portals of entry, exit, and communication”, and I want you to recognize that media are “barriers to entry, exit, and communication”. Also, I want you to recognize that the difference between the two spaces that are immediately related to one another need not actually precede the construction of the portal that articulates their immediate relation. For instance, I can create two different spaces in a single open field by constructing an archway portal in the middle of such a field. In this way, the different spaces on either side of the archway only existed virtually prior to the creation of the archway: the creation of the archway is what made the different spaces actually exist.

My second informative anecdote of an “im-medium” is the “germ” (i.e., the “cutting”, the “rhizome”, the “seed”, or the “spore”) that facilitates plant propagation. I want to argue that germs articulate bio-geographies that immediately relate different bio-geographies. Let’s say that I take a seed from a plant that grows here in the temperate rainforests of the Pacific Northwest Coast of North America, on the Olympic Peninsula, and that I transport this seed to the temperate rainforests of Japan, to northern Honshu. Ay, and let’s say that I plant this seed on northern Honshu. Now, no matter whether this seed from the Olympic Peninsula takes root or fails to take root on northern Honshu, this seed articulates a biogeography that immediately relates the biogeography of northern Honshu to that of the Olympic Peninsula: if the seed takes root, this immediate relation conveys a biogeographical similarity; if the seed fails to take root, this immediate relation conveys a bio-geographical difference. Now, going further, if the seed fails to take root and I intervene in the ecology of northern Honshu, making the biogeography of northern Honshu more similar to the biogeography of the Olympic Peninsula and enabling such a seed to take root in future, this homogenizing intervention in the ecology of northern Honshu mediates between the biogeography of northern Honshu and that of the Olympic Peninsula. Alternatively, if the seed succeeds in taking root and I intervene in the ecology of northern Honshu, making the biogeography of northern Honshu less similar to the biogeography of the Olympic Peninsula and preventing such a seed from taking root in future, this diversifying intervention in the ecology of northern Honshu mediates between the biogeography of northern Honshu and that of the Olympic Peninsula.From this informative anecdote, I want you to recognize that im-mediations are disseminations of germs that convey similarities and differences amongst different grounds, and I want you to recognize that mediations are interventions that make different grounds more or less similar to one another. Again, however, I also want you to recognize that similarities and differences amongst different grounds are actual only in relation to im-mediations: the biogeographical similarities and differences conveyed by the dissemination of the seed from the Olympic Peninsula to northern Honshu were virtual until they were actualized by the dissemination of the seed from the Olympic Peninsula to northern Honshu.

Now, to return to my Nine Theses, I hold that a power mediates relations by erecting barriers between factions and staging interventions amongst factions: erecting barriers and staging interventions are practices that enable “authorities” who would spectacularize, routinize, and normalize differences so as to make different factions either more or less similar to one another. Furthermore, I hold that a counterpower im-mediates relations by opening portals between factions and disseminating germs amongst factions: opening portals and disseminating germs are practices that enable “dissenters” who commute from faction to faction so as to convey similarities and differences amongst different factions.

Posted at 1:42pm and tagged with: portals, propagators, DISSEMINATION, philosophy, race, racism, power, Jean-Michel Basquiat, painted television, Alexis Adler, im-media, nine theses,.

Notes Towards a Concept of “Im-media”
Two Informative Anecdotes
Following up on my last post, I would like to begin to develop the term “im-media” a bit further by regarding two different “im-media” as primary informative anecdotes.
My first...